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Psalms

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An Interview with Eric Sarwar, Part 2

Punjabi Psalms

An Interview with Eric Sarwar, Part 1

In 2009, Emily Brink and Paul Neeley participated in two worship conferences in Pakistan co-sponsored by the Calvin Institute of Christian Worship (CICW) and the Tehillim School of Church Music and Worship (TSCM). Rev. Eric Sarwar, a pastor in the Presbyterian Church of Pakistan and founder of TSCM, arranged both conferences, one at the Presbyterian Seminary in Gujranwala, and the other hosted by Christ the King Roman Catholic Seminary in Karachi.

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Writing Your Own Psalm

O God, you are like coffee to me!

. . . I thirst for you in the morning when I wake.

. . . Your warmth continues to travel through me.

. . . I return to you throughout the day and get renewed and refreshed.

The Psalter in the Hymnal

The psalter has long played a prominent role in the worship of Christians in the Reformed tradition. John Calvin held the newly reformed church to the singing of the inspired words of the psalms. In the nineteenth century, particularly in North America, Reformed denominations began to accommodate hymns by binding them to the back of their psalters. The Christian Reformed Church (CRC) has maintained this “Psalter Hymnal” format right up to the twenty-first century.

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Words That Seep Into Your Soul

We all have a story to tell. But as Christians, our story is God’s story. We are called to tell our stories in order to tell “the old, old story of Jesus and his love.”

Singing the Shepherd Psalm

Part 3 of Three Articles on Psalm 23

The following article, though not typical for Reformed Worship, is well worth spending some time on. Pastors, musicians, and worship planners alike can benefit from considering the pairing of text and tune and the challenges that arise from a plethora of choices. In addition, several denominations are in the process of developing new hymnbooks for congregational song. This series of articles provides a glimpse of some of the detailed discussions that take place when considering the pairing of texts and tunes.

—JB

Singing the Shepherd Psalm

Part 2 of 3 Articles on Psalm 23

The following article, though not typical for Reformed Worship, is well worth spending some time on. Pastors, musicians, and worship planners alike can benefit from considering the pairing of text and tune and the challenges that arise from a plethora of choices. In addition, several denominations are in the process of developing new hymnbooks for congregational song. This series of articles provide a peek into some of the detailed discussions that take place when considering the pairing of texts and tunes.

—JB

From Sin to Trust

Worshipping with Psalm 130

As our worship committee planned a service around Psalm 130, we were reminded that this is a Psalm of ascents, sung by the people of Israel as they approached the temple to worship. The psalmist begins in the depths of sin, moves to trusting in God as the One who forgives, and concludes with a communal call to trust in God. Wanting to remain true to the text, we planned our service as a journey moving from sin to trust. This momentum helped us all to acknowledge our need for a Savior and to go forward, confidently trusting in the Lord’s compassion.

"My God, My God, Why?"

Understanding the Lament Psalms

My quest to understand the psalms of lament began in the midst of a deep period of depression. I had spent a wonderfully rich two months in Ethiopia, recording Christian Somali music for broadcast from Ethiopia over Somalia. During my time there I received numerous “prophetic words” that doors would open for me when I returned to Canada. But within a few short months of my return I was unemployed and living in the basement of a friend’s parent’s house. My familial home had burned down and a friend of mine had committed suicide.

A Litany for the Sick or Dying

Using Psalm 102 in a Pastoral Setting

The biblical heading for Psalm 102 is “The prayer of an afflicted person who has grown weak and pours out a lament before the Lord.” In the honest and vivid language typical of the psalms, the writer expresses a cry of pain and desolation, coupled with a poetic and, strangely, almost clinical description of the emotions, thoughts, and physical symptoms of a dying person. So how might we use this psalm in pastoral ministry and worship?

I suggest using the adaptation of Psalm 102, found on the next page, in at least two pastoral settings.