It hit me a couple of weeks ago when I realized the worship planning team or someone—the pastor, probably, late Saturday night—used a banner I had designed at least fifteen years ago to signal this Sunday was Communion Sunday. Surely we must have done something different or new since then, right? Nope. I couldn’t think of anything beyond an on-screen graphic done up a couple of years ago for a Good Friday service.
It is common to come into a church and hear music. Singing, on the other hand, is another issue.
I have worked at several kinds of churches, including Lutheran, Roman Catholic, Methodist, Presbyterian, Baptist, and non-denominational. I’ve been a choir director, worship leader, and organist. I’ve noticed a common thread about singing running through every church: Each has a pastoral musician whom they trust.
At a Church Near You . . .
Lisa, overflowing with energy and excitement greets a visiting couple. “It’s so good to have you here today. I’m on the worship planning committee and we have so many special portions to our service this morning. While this will be a surprise to the congregation, we asked the brass ensemble to join the opening song, but they are in the balcony so it will be an unexpected delight for all. We also get to celebrate the Lord’s Supper together. This is a great day for you to be part of our community.”
Last week I was asked to lead worship at a small church plant. It was a young church where I, a 31-year-old, would be one of the older attendees. So I looked through my song list and choose three songs that would be fitting for the night before Easter. I wasn’t looking for any particular kind of song; just songs that conveyed the message of the cross and that might be familiar and singable with this group. It wasn’t until after I picked out the songs that I realized all three were hymns.
I’m sure I’m not the only worship leader to wonder what to do for the annual Thanksgiving Day service. Sometimes it feels like I have to manufacture a spirit of thankfulness for this one day before returning to business as usual the next morning. What if I’m not in a particularly thankful mood? What if my congregation is facing or enduring a tough situation? Manufacturing thankfulness for an hour of worship sounds trite and inappropriate.
Our church feels called to address some major societal issues as a congregation, including racism, the history of genocide of indigenous peoples, and human trafficking. The question is how we will do this in worship. Some have suggested we have a special service that focuses on each key issue. But that doesn’t feel right. I fear we will just have a succession of single-issue services and then drop our concern.
As Reformed Worship enters its 30th year, it is natural to look back and wonder what has changed since this publication began. My colleague John Witvliet can testify to the explosion of work in the area of liturgics and worship. The serious study of worship has gone from a relatively rare enterprise a few decades ago to a growing academic phenomenon. In addition to Reformed Worship, worship planners and pastors now have access to a mind-boggling wealth of resources.
To the artist John August Swanson, art is a journey into the wonder of life. His art explores the ongoing narrative of God and God’s people through visual stories filled with hope, faith, and love. Swanson’s art guides us to see the sacredness of our ordinary lives and reflects the unique beauty of our everyday experiences. They become visual parables of the daily lives we share.
At the August 2014 meeting of the worship, music, and arts committee of Central Presbyterian Church in Atlanta, Georgia, one of the youth on the committee suggested an art installation project for our Advent, Christmas, and Epiphany seasons. Her name is Avery West, and her suggestion was that we create a large origami star mobile to hang from the ceiling of our sanctuary.
This service is the first in a series titled “Sing 10,” which highlights services in which 10 or more songs are sung. Sometimes it will be in the form of the traditional hymn festival, but in this case it is a worship service with many options for congregational song in a more modern genre. What will set these articles apart from other services is that we will include lead sheets or full scores to a few of the songs as well as background or performance suggestions where applicable.
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