Afew years ago, we designed a worship service for the first Sunday of Advent to introduce and explain the general themes of the season, including the lighting of Advent candles. In past years, the latter had received cursory attention, consisting of a short Bible reading followed by the lighting of the corresponding candle. I saw value in giving the Advent candle themes more attention, perhaps by “illuminating” their meanings (hope, love, joy, peace) visually. We decided to create a banner for each Advent candle.
This dramatic reading was written to show how the announcement of a coming Savior fit snugly into the history and expectations of God’s
people, how the Lord Almighty is a God of justice who watches over the needy, and how this God will be manifest in Jesus.
Note: The readers’ parts should be adapted to fit the “voice” and experience of the readers as well as the context in which this script is used.
[Violin plays through “O Come, O Come, Immanuel” CH 245, PH 9, PsH 328, SFL 123, SWM 81, TH 194, WR 154 one time.]
Reader 1: When I was a child, I had no patience for family reunions or for the drawn-out discussions about family genealogy that occurred over Sunday morning coffee at my grandfather’s house.
For this Advent series we created dialogues where parents would speak informally with their children about who Jesus is. Each week we sang Graham Kendrick’s “Meekness and Majesty” (SNC 109), which contrasts Jesus’ divinity with the humble circumstances of his birth. These dialogues accompanied the lighting of the Advent candle each week.
During Advent we wanted to draw all the generations in our congregation into the wonderful messages of hope, love, peace, and joy. To do that, we wrote dramatic scripts to reflect God’s command to tell the children the stories of his faithfulness. Storytellers represented the gospel characters who had received God’s message directly from angels: Zechariah, Mary, Joseph, and the shepherds.