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Who's the Host? We may be getting carried away with Kierkegaard's analogy

I don't know who first "discovered" Kierkegaard's contribution to the nature of worship, but a lot of people have been referring to it. Here's how it goes: Imagine a worship service as a drama. Who is the audience? Who are the actors? At first glance, most would say that the congregation is the audience, and the minister is the actor. But no—Kierkegaard supposedly claims that God is the audience, the worshipers are the actors, and the minister is the prompter.

Right Rites: How much ritual is appropriate in Reformed worship?

Calvin called the ceremonies of the Roman church "alien hodgepodge, theatrical pomp, foolish gesticulations and empty little ceremonies, outward trappings, magical incantations, and perverse rites." (These and many other denigra-tions can be found especially in the Institutes, Book 4). Four centuries later, hardbitten detective Travis Mc Gee says: "To me organized religion, the formalities and routines, it's like being marched in formation to look at a sunset. Maybe some people need routines. I don't."

Worship in a Blender: What remains distinctive about Reformed worship?

Just what is Reformed worship, anyway?

It is possible today to go to a church in the Reformed tradition and find worship influences from all sorts of directions— low and high church, charismatic and evangelical, liturgical and . . . well, of course, Reformed. Such variety raises the question in many minds of whether there is anything distinctive about Reformed worship.

The Friday Voice of Faith: A serious theology of the cross requires a serious practice of the lament psalms

In spite of their poignancy and availability, the lament psalms are not much used. If you look in the back of the hymnals of most major Protestant denominations, you will find perhaps Psalm 1, then skip to 8 and 19 and perhaps 22. Even when lament psalms are included, they are not sung much. In Roman Catholic and liberal Protestant usage, most of the lament psalms simply do not exist. (Anglicans use the lament psalms, but set them to such wonderful music that you don't notice what is being said!)

We're Still Waiting: We need to anticipate the second coming while we celebrate the first

In the opening song of the musical The Cotton Patch Gospel, the chorus sings: "Somebody said, 'It's the second coming,' someone said, 'It's the first.' Somebody said, It's the best that could happen,' someone said, 'It's the worst.'"