The Worship Sourcebook stands in a long tradition of worship books in the Christian church. The biblical Psalms may well have functioned as a prayer book for the people of Israel. Some of the earliest Christians compiled their advice about forms and patterns of worship into church order documents, the first of which, the Didache, dates back perhaps into the first century a.d. Over time, especially in the early medieval period, these documents grew very complex, with detailed instructions about every aspect of worship.
Ever been scheduled to both take the offering and play the offertory during the same service? Found yourself the sole soprano while singing hymns? Been locked out of your worship space because the only two keyholders were both out of town? If so, you probably belong to a smaller congregation.
I first saw Stuart Townend at a Worship Together conference in Waterloo, Ontario, two and a half years ago. He led the worship, and his voice, combined with a musical sensitivity to the needs of the songs and the Holy Spirit, culminated in a session that I will long remember. I came home that night inspired by a new song that is becoming a well-known, modern hymn for the church: “In Christ Alone” (see p. 33). My aim here is to introduce readers to a gifted songwriter who has written many new songs for the church.
The book of Psalms, embodied in the Genevan Psalter, has nourished Reformed Christians for centuries. This spiritual heritage has a special place in the hearts of Hungarian Reformed believers who have survived the harsh years of Communist repression and domination. Their stories testify to the influence of the psalms in the ordinary and extraordinary details of their lives.