Updated June, 2025
My church has the smallest sanctuary I’ve ever seen. The front wall of the sanctuary used to be painted with a kind of 3-D archway or portal that was black inside. The painting was old, chipped, and mildewed along the bottom. I always wondered what it meant and who had put it there. When I started asking around, many parishioners admitted to being “creeped out” by the painting. Finally someone told me that the painting symbolized the tomb. Eventually we painted it over in order to brighten up the worship space.
Soon after, I went on a pilgrimage to Israel. When I returned, I wanted to share a few pictures from my trip with the congregation. I decided to try projecting pictures on the newly white-painted wall.
And so it began: one donated projector led to the next, and today our use of technology to display images is as common and varied as our church music.
Some Sundays I project a stained glass image with the Scripture of the day. Other times I choose an image that gives a feeling of movement or catches the imagination in some other way. Some Sundays there are a plethora of images, including YouTube videos or snippets of movies; other Sundays there are none.
Last Sunday an elder who was charged with talking about stewardship chose to show a five-minute home movie interview with her great-aunt describing the value of thriftiness. These simple images had great power to connect with worshipers.
I realized that we have replaced one generation’s iconography with another’s.
This led me to reflect a little on portals, icons, thresholds, and the Internet and how they inform our worship.
The human need to cross thresholds doesn’t change, but the iconography that allows us to do so does
Portals
Preachers sometimes talk about portals (doorways) during the Easter season, when Jesus’ passing through the grave causes us to ponder the threshold between life and death and life again. Outside the church, other portals grab the popular imagination:
Dr. Who’s time-traveling blue box called the Tardis, or the Hogwarts Express departing from Platform 9¾. Each generation claims its own portals. So beware of ending your explorations with the starship Enterprise, which is the equivalent of telling only WW II stories in today’s pulpits.
Icons
It’s no accident that the graphic images used in technology are called “icons.” In the Eastern tradition, an icon is a representation of a saint, the contemplation of which allows the viewer to cross a threshold into a spiritual realm. In the computer world, we use the icons that flicker on our screens to cross more mundane thresholds: getting information, making purchases, paying bills.
Thresholds
If ancient icons and computer icons both allow viewers to cross thresholds, are the thresholds really that different? When we click on one icon to purchase movie tickets and another to find directions to the theater, just what are we hoping to find when we arrive at the theater? In a word: meaning. We want the filmmaker to help interpret the world for us, or at least to tell us a story we can use to create our own meaning.
I realized that we have replaced one generation’s iconography with another’s.
Internet
Writer Leonard Sweet observed some twenty years ago that the computer screen is the new Gutenberg press. Or did he call it the new Wittenberg door? If he didn’t, he should have. The first generation of technology was mainly a way to disseminate information (websites, e-mail), but the second generation provides a way to dialogue about that information (blogs, comments on blogs, tweets, virtual chats, and webinars).
The human need to cross thresholds doesn’t change, but the iconography that allows us to do so does. What portals does your church use to connect with people? Which opportunities offered by changing technology have you embraced? Are there any down sides to any of them?
Let’s not be afraid to step over the thresholds we find and create ever-expanding ways to connect with God’s people.
Sola Deo Gloria.