Come and See
Some years back, a biology professor gave a presentation at our church that included photos taken by the latest high-powered microscopes. The photos were amazing, but what I remember more was the awe in the professor’s voice as she described the complexities of God’s creation in the very, very small world she studied. Even though she’d taught for years, she acted as if she was seeing these splotches and patterns for the first time. Her presentation was a prayer of praise to the limitless creativity of our God.
Over the years in this space we’ve talked about inspiration—where and how and when we’re moved to make something new and fresh. For me recently, it was a something very old: the song “Not What My Hands Have Done,” LUYH 624, PsH 260 written in the 1860s by Horatius Bonar. There were fewer than twenty people at a staff retreat where this song was part of the morning’s opening worship.
At a 2018 Worship Symposium workshop, painter and calligrapher Matt Plescher (mattplescher.com) showed participants how to do brush calligraphy. With Plescher’s permission, his work “God is with us” is adapted here for an Advent/Christmas visual. His original art is available free of charge at viascriptura.com.
Since I first saw pictures of Janet Echelman’s sculpture made from thirty-five miles—yes, miles—of technical fiber hanging over a park in Greensboro, North Carolina, I’ve been thinking of ways to capture some of the same airy, flame-like look for a Pentecost visual for worship.
What if we strung netting of some sort—dyed or left natural—from floor to ceiling? But to keep it from looking like a spiderweb, it needs an anchor of some sort—something to give it focus and a purpose.