Alfred V. Fedak was born on July 4, 1953, in Elizabeth, New Jersey. He earned his bachelor’s degrees in organ performance and music history from Hope College in 1975, and a master’s degree in organ performance from Montclair State University. He has done additional study at Westminster Choir College; the Eastman School of Music; the Institute for European Studies in Vienna, Austria; and the Cambridge Choral Studies Seminar, Clare College, Cambridge.
Mary Kay Beall and John Carter are a husband-and-wife hymn-writing team. Mary Kay was born on August 16, 1943, in Akron, Ohio. She graduated from Ohio Wesleyan University (B.M.), Ohio State University (M.A.), and Trinity Lutheran Seminary in Columbus, Ohio (M.T.S.). An ordained minister in the American Baptist Church and United Church of Christ, Mary Kay and her husband have served in a variety of positions in numerous churches of different denominations.
Adam Merrill Longoria Tice was born in western Pennsylvania on October 11, 1979, and was raised in Alabama, Oregon, and Indiana. He is a graduate of Goshen College in Goshen, Indiana, (2002, major in music composition), and the Anabaptist Mennonite Biblical Seminary in Elkhart, Indiana (2006, M.A. in Christian formation). From 2007 to 2012 he served as associate pastor of Hyattsville Mennonite Church in Hyattsville, Maryland (near Washington, D.C.), and since 2012 has lived with his family in Goshen, Indiana.
Keaton Lee Scott is a native of Langdale (now Valley), Alabama, where he was born on April 19, 1950. He received his bachelor of music and master of music degrees from the University of Alabama in 1973 and 1976, respectively. Since that time he has served as an adjunct faculty member for the Schools of Music at the University of Alabama at Tuscaloosa, the University of Alabama at Birmingham, and Samford University, and as organist/choir director at several churches. But his main occupation has been the writing of music.
Dan Damon is an author/composer who knows and understands the tradition of hymn-writing but is able to infuse it with creative post-modern thought—and vice versa. While his texts are to the point, they do not indulge in stark language merely for shock value or to prove their “relevance.” And Damon’s tunes, notable for their diversity, are singable and supportive of the text.
This is the second of a series of articles by David Music on contemporary American hymn writers. For more of this series, visit ReformedWorship.org.
Many church musicians are familiar with Hal H. Hopson as a writer of choral anthems, handbell music, hymn enhancements, and works in other genres. But he has also made significant contributions to the repertory of congregational song.