"As the deer pants for streams of water, so my soul pants for you, O God."
—Psalm 42:1
"I long to worship with freedom, singing songs of joy, clapping my hands in exuberance and worshiping together as we get lost in the presence of God."
—New Member of Madison Square
A new style of worship has been spreading throughout North America and other parts of the world in the last several decades. While this worship approach is described by a variety of names, the one that seems to be gaining most acceptance is "Praise and Worship" (P&W). I want to explain what this style of worship is and how it may affect traditional worship in the future.
Recently we asked several of our Reformed Worship readers about their understanding of the Praise and . Worship style and its effect on congregational worship. We wanted to know what questions and concerns they had about the movement. Then we turned to Henry Wildeboer, a pastor involved with this style of worship. We invited him to answer these questions from his experiences in churches in Calgary and Oshawa.
Christ Community Church in Nanaimo, British Columbia, has just celebrated its tenth anniversary. We've also celebrated the good news that we've had a real surge of first-time visitors during the past twelve months: over two hundred newcomers have walked through our doors in the past year.
Prelude: Variations on vater unser (Our Father)
Call to Worship: "Built on the Rock" [stanzas 1-2, choir, stanza 3, all]
(PsH 503, TH 351]
Greetings
Hymn: "Our Father, Clothed with Majesty," [stanza 1]
(PsH 562)
Why did Christ command us to call God "our Father"?
This is a day of Thanksgiving. Our God has been very good to us. It is a day for harvest celebration.
Let us rejoice and be glad in it!
"When you have eaten and are satisfied, praise the Lord your God for the good land he has given you."
(Deuteronomy 8:10)
"Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name."
(Psalm 100:4)
For this theme issue we are breaking with the tradition of presenting three hymns for singing in three different months. Rather, in keeping with the style of Praise and Worship music, we include three songs that are presented in a medley fashion. The intention is for the congregation to have access to the words on overheads while the musicians play from the music. The transitions and the accompaniment for "Father, We Love You" were composed by Marie Elzinga.
Congratulations on Emily Brink's fine article "Copy Right!" (RW18). You did indeed get it right. Such articles are most helpful to those of us in the industry who are involved in this continuing educational problem.
Also please thank Ronald Wells for his interesting article on Thomas Cran-mer in that same issue.
George H. Shorney, President
Hope Publishing Company
Carol Stream, IL 60188
