There is not one square inch in the whole domain of our human existence over which Christ, who is Sovereign over all, does not cry: ‘Mine!’”
The atmosphere was electric. Worshipers came in, greeted each other with friendly chatter, and found seats as close to the front as they could. It was obvious even before the service began that this worship time would be much more energetic and celebratory than what our English-speaking Christian Reformed congregation was used to!
The sermon ends and the organist launches into the “sermon hymn.” In many congregations this is where the service begins winding down. But at Eliot Presbyterian Church in Lowell, Massachusetts, the sermon hymn signals a worship practice that people look forward to all week.
As the congregation sings, several people move forward to sit in the front pew. Others join them. Two by two, they talk quietly and then pray together—with eyes open or closed, heads bowed or not, hands folded or clasped.
For a mid-sized city with a thriving downtown arts scene, the annual Celebration of the Arts in Grand Rapids, Michigan, may seem like just one more art show on a busy cultural calendar. But art lovers are often taken aback when they learn who’s behind this event. The Celebration is entirely hosted, promoted, and run by a church—First United Methodist Church, a Gothic church building on Fulton Street in the heart of the city.
Scan the crowd at one of Madison Square Church’s well-attended Sunday services and you’ll see something rare: a group whose demographics actually looks like its diversely-peopled promotional materials.