A year ago, I received a brochure inviting me to the Calvin Symposium of Worship, 2005. Even though the dates precluded my attendance, I could not put down the striking booklet, full of black and white pictures of hands: clapping, praying, welcoming, signing hands—hands performing on musical instruments, in drama and painting. The photographer beautifully depicted hands not only engaged in communal worship but also in preparation for worship, across generational and cultural divides.
Articles in this issue:
Q. Recent conversations I’ve heard dismiss Mother’s and Father’s Days as Hallmark holidays not suitable for worship. Aren’t these important pastoral topics in an age in which family life is so threatened?
It’s been five years since we tried using those O Antiphons (see box) at LOFT. I’m thinking of introducing them again after one of the new worship apprentices mentioned reading about them in Webber’s Complete Library of Christian Worship. But if memory serves, the last time we tried to use them, the service didn’t go so well.
To do: Look at notes from last Antiphon service.
When is the last time you said amen out loud at the end of a prayer that someone else led in worship? And what’s the difference whether you say it aloud, or let the person leading the prayer say it? What does it mean to say amen?
The growing attention paid to the “emerging church” has certainly got people talking. And whatever the “emerging church” is, it seems to be quite a chameleon. Depending on who you talk to, it’s either the latest threat to biblical faith or that which will save us from two thousand years of error!
Robert Webber has been an editorial consultant for Reformed Worship for many years and has written for RW several times. To help us start off our twentieth anniversary year, we asked him to reflect on “what we’ve learned along the way.” This article is the first in a series by a variety of writers associated with Reformed Worship since we began twenty years ago.
In this column, I want to explore the great-granddaddy of worship websites, the expanding-by-the-day website of the Calvin Institute of Christian Worship (www.calvin.edu/worship). This site reflects the wisdom of a whole congregation of worship gurus, clustered around the vision of CICW and its director, John Witvliet. That vision encompasses both rigorous, high-level scholarship and wheels-on-the-pavement ministry practice.
The Big Picture
A mother and father travel to meet their teenaged daughter, who is returning home after a year in Argentina. On the trip the parents snap pictures: (1) the departure, (2) a stop to swim in a mountain lake, (3) pictures of that lake shot from an overlook, (4) the airport, (5) the daughter’s arrival, and (6) the rainbow crowd of passengers disembarking the plane from South America.
An abundance of new materials for church pianists was published in the last twelve months, with many different repertoires and styles from which to choose. Because of space constraints, I have chosen to list no more than three representative titles from each volume. You can find more information, including complete tables of contents, at publisher’s websites, your local print music dealer, or website stores such as burtnco.com or pianolane.com. Within great latitude, volumes are graded E=Easy, M=Medium, and D=Difficult
How well do you “hear” Scripture?
For some people the spoken or written word is powerful. But others “hear” more clearly through other senses. Worship leaders face the challenge of presenting the Scripture to people who have a variety of intelligences and learning styles. How can we help all these people hear the Word of God with greater clarity and understanding?