You go for the kids. At least that’s what you tell yourself. You know the story, and though the songs may change from year to year, little else does. It’s not that it’s not enjoyable; it’s just that it’s so predictable. The story doesn’t change, and you don’t expect it to change you—not after all these years.
Articles in this issue:
Q My church sings contemporary music, but with piano accompaniment rather than guitar and drums. It doesn’t sound very contemporary. Why can’t the music be led by a band, like it was designed to be?
A There are a lot of layers to this question. Some churches don’t have a praise band because they don’t have people with the necessary skills. Others prefer piano or organ or have discerned that in their context piano or organ accompaniment leads to the best possible singing. All of those judgments need to be made contextually.
Because Advent can be a hectic time of year, our Creative Arts Team wanted to give worshipers the opportunity to slow down. For the four Sundays of Advent we intentionally set aside time at the beginning of each worship service to enable worshipers to take a breath, reflect, and focus on the coming Savior. It was our hope that this slow-paced opening would help us all “wait for the Lord.”
Psalm 150 declares, “Praise [God] for his mighty acts; praise him according to his excellent greatness!” (KJV). God requires our very best, and we dishonor God if we offer anything less (see Malachi 1:8).
Most of the worship leaders I know strive for excellence, and most of the conferences I attend encourage excellence too. But what does excellence in worship mean to you? How do we know when excellence is achieved? What standards do we look to?
It’s not surprising that the topic of lament is generally ignored in November and December. During this time, when sparkling window displays surround us and manic Christmas music streams from every department store, lament seems shockingly discordant with the season—an inappropriate drifting from “the Christmas spirit.” Though some churches do seek to minister to those who experience grief, loss, and loneliness during Advent, lament is not generally a part of our church services.
This article is taken from a 1980 editorial in Liturgy and Music in Reformed Worship, the precursor to Reformed Worship. Unlike back issues of Reformed Worship, the jewels in these newsletters are not available online, so we decided to share a few of them with you. You may be surprised at how much hasn’t changed in the last 30 years.
All families develop rituals and traditions. In one family, the grandmother always cut off one end of the Easter ham and baked it in a separate pan. When someone eventually asked Grandma about the symbolism behind this ritual, she laughed and said there was no symbolism. For the many decades she’d been in charge of the Easter feast, she’d never had a pan big enough to hold the whole ham, so she always cut it. It was as simple as that.
Awhile ago I happened to be reading one of the minor prophets when I came across a prophecy about the Messiah. I wondered why this prophecy was not included in the traditional service of lessons and carols made popular by the King’s College, Cambridge. My interest piqued, I decided to try to create a new service of lessons and carols using different lessons than those we usually hear.
We Did It!
I thought I would send you some photos of what our visual arts committee did with your idea. The back cover of Reformed Worship is always our favorite. Thanks so much for all of your work and ideas.
Worship Director, Brookfield CRC,