We are a culture that fears the uncomfortable, looks for the easy option, and is quickly distracted by the latest shiny bauble. We are a culture that does whatever it can to avoid being confronted by the darkness and evil that surrounds us, to live in denial of the atrocities occurring even in our own communities. We are a culture that is quick to lay blame for the struggles of other humans at their feet rather than consider our own part in supporting systems that have created and maintained injustice. We don’t want to see or feel truth.
Articles in this issue:
This Advent series highlights the themes of promise, preparation, joy, and hope with a focus on how angels model worship in both the Nativity story and in Revelation.
Each week’s Advent readings were read by two members of our youth group.
“Can we please do something different for Christmas Eve this year?”
“Can we try something that will speak to those on the fringes of our community?”
If you plan worship, questions like this might be vying for attention in your own church. While services with traditional structures and themes may appeal to some, others, depending on their age and background, could find such an approach difficult to relate to.
For about seven years in the 1960s, the Beatles recorded special Christmas songs and greetings for the members of its fan club (mailed to them on a 45 rpm—remember those?). One year the song was titled “Christmas Time (Is Here Again).” It has to count as one of the simplest of all Beatles songs as the five words of the title are sung over and over. And over. And over again.
The theme for these Advent/Christmas/Epiphany visuals is “All Is Calm, All Is Bright.” It was inspired by the two hundredth anniversary (in 2018) of the composition of the well-loved Christmas carol “Silent Night! Holy Night” Mohr, LUYH 85, GtG 122, PsH 344. The visual elements incorporated into the sanctuary during the season carried great meaning and significance.
For this Advent/Christmas issue of Reformed Worship, we asked our RW staff this question: “What congregational song related to the story of Christ’s birth do you find particularly meaningful and why?”
from Handel’s Messiah.
Words: Job 19:25–26; 1 Corinthians 15:20; adapt. by Charles Jennens