After returning from the Calvin Symposium last January (2004), I began to think of ways I could implement some of the ideas I came away with. One of the results was this Pentecost service, inspired by several services at the symposium as well as previous resources in Reformed Worship and The Worship Sourcebook (TWS). Our congregation invited three area churches for this evening service in order to get a larger choir as well as a full church. Unfortunately, there was a tornado watch in our area that night, so Pentecost had to be put on hold for two weeks!
Articles in this issue:
Art, in its many forms, touches the soul in powerful ways. It helps people bring their bodies and emotions into worship, as well as their minds. As more and more people find that they are visual learners, the integration of the arts into worship becomes more and more important. This is something I am acutely aware of as an artist and something I struggle to put into practice. I would like to share with you a process that has helped me realize some of my dreams about worship and art.
This litany of food and stewardship comes from the 1990 Hunger Packet distributed by the Mennonite Central Committee (www.mcc.org) and is used by permission. It journeys through the Bible, recalling how hunger and poverty are deep concerns for God.
Bible Studies on Worship Available on the Web
Every month a new Bible study on worship written with worship committees in mind will be available at www.calvin.edu/worship. The studies, which provide thoughts and questions aimed to spark study and discussion, will deal with issues and Scripture passages that are relevant to the tasks of worship leaders and planners.
For more information about this touring company of professional Christian actors, visit www.friendsofthegroom.org. The group in the photographs is the Youth Drama Team sponsored by Friends of the Groom (made possible through a grant from the Calvin Institute of Christian Worship): Julia Albain, Robyn Hubbuch, Becca Long, Becca Maher, Aimee Morton, David Morton, Annie Sluka, and Jacqueline Voss.
The Lord’s Prayer has often been a source for structuring congregational prayers. This service is actually an extended prayer based on the Lord’s Prayer and the commentary on it in the Heidelberg Catechism (Q&A 120-129). It was designed as the conclusion to a preaching series on the Lord’s Prayer; each of those services also included sections of the Heidelberg Catechism.
The temptations Jesus endured and withstood are archetypal of Satan’s diabolical work to trap humanity. Where we fall, Jesus stood, though not without struggle, as Hebrews 5:14 teaches: “For we do not have a high priest who is unable to sympathize with our weaknesses, but we have one who has been tempted in every way, just as we are—yet was without sin.”
Facing Jesus’—and Preachers’—Temptations
Walking into the office of Scott Myers, the pastor of Westport Presbyterian Church, one is surrounded by books. In and of itself this is not unusual. What is distinctive about Myers’s office is that alongside the theological writings stands a significant collection of books on the visual arts. Rodin and Chagall, photography, painting, and sculpture all occupy prominent places both on his bookshelves and in the worship life of the church he serves in the historic district of Westport, Missouri.