Cultural forces can sometimes affect how we “see” the Bible, how we approach the Scriptures. So we receive the Bible as a sort of divine encyclopedia full of revealed “facts,” or we treat it as an abstract rule book, or we revere it as merely a historic relic of a past when people seemed to actually encounter God. What gets lost in these functional “pictures” of the Bible is something central to the Scriptures themselves: the fact that the Bible is a story. God reveals himself to us in a narrative.
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There are many different ways to tell the story of the Protestant Reformation. A favorite centers on the heroic tale of Martin Luther, an Augustinian monk newly convicted by his discovery of Paul’s forensic
gospel, furiously hammering his ninety-five Theses to the church door in Wittenberg. The Reformation is thus launched by a kind of medieval blog post about justification by faith that becomes the catalyst for a theological