Phillip M. Hash (firstname.lastname@example.org) teaches music education at Calvin College, Grand Rapids, Michigan.
Articles by this author:
- Practical Advice for Working with Instrumentalists
Here’s the typical music director’s dilemma: you want to use instrumentalists in the service because that adds a unique dimension to your worship, but you also know there’s a wide range of ability among your willing volunteers; many, if not all, are amateurs.
How can you select repertoire that honors their capabilities and helps them reach their full potential in using their gifts to serve the Lord? Here’s some practical advice for doing just that.
- Resources for Small Handbell Ensembles
The handbell choir may be the ultimate expression of music-making as a community of believers. The ensemble cannot function without each individual; at the same time, the contribution of each individual is meaningless apart from the whole. This reality, however, makes supporting a handbell choir difficult for churches that simply cannot enlist enough qualified ringers to rehearse on a regular basis.
- Resources for the Church Instrumental Ensemble
Whether you know it or not, your church likely has the potential for creating an orchestra or instrumental ensemble among your own congregation. Why should you consider doing so? As the psalmist so exuberantly proclaims in Psalm 150, because tambourine and trumpet, strings and flute—even loud crashing cymbals—offer fitting praise to our Lord! You’ll find that using the talents of church members is an excellent way to add variety and interest to hymn accompaniments and other music, as well as involving more people in the ministry of the church.