Resources by Bert Polman

The following liturgy was submitted by Rev. Herman Praamsma, pastor of the Fellowship CRC ofRexdale, Ontario. The liturgy was adapted by Dr. Bert Polman from a form prepared by the Liturgical Committee of the Christian Reformed Church for use during an Easter Service; this liturgy can be used for all Sundays in Eastertide. The season of the church year called Eastertide lasts fifty days and includes Ascension, the day when we rejoice in the reign of Christ at God's right hand.

*If you are able, please stand

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Easter: This Joyful Eastertide

While most of us know many Christmas carols, we may be less familiar with carols for other times of the year. One of the finest Easter carols is "This Joyful Eastertide." The tune, which originated in a seventeenth-century Dutch love song, came into church use in Joachim Oudaen's David's Psalmen (1685) as the melody for "Hoe Grootde Vreuchten Zijn" ("How Great the Fruits Are")—hence, the tune title VRUCHTEN.

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The "hymn festival" is rapidly growing in popularity. With the explosion of new songs for worship, the rediscovery of old gems, as well as the joy of singing familiar favorites, the hymn festival provides an opportunity for congregations, choirs, and instruments to join in varied ways of singing hymns together. A hymn festival can celebrate the hymns of a season or of a given tradition, author, composer, or theme. Any good reason will do!

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Our Worship Begins(1)

Words of Welcome

*Processional: Psalm 24(2)

*Greetings:
Pastor: People of God, receive the greeting from our God, the King of glory: Grace to you and peace from God our Father and the Lord Jesus Christ, through the working of the Holy Spirit.
People: Amen!
The people greet each other.

*Hymn: Rejoice, the Lord Is King

We Hear the Word of the Lord

Prayer for Illumination

Scripture Reading: Acts 1:1—11

Word for the Children

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In the second half of the 20th century, the Christian community witnessed a vast explosion of hymnody. Some of these new songs were produced by gifted authors, people like Timothy Dudley-Smith or Margaret Clarkson, who wrote hymns that built on the heritage of Christian hymnody. But a larger part of this "hymn explosion" were scripture songs—actual scriptural texts or paraphrases of scripture set to music, often in a popular style.

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