Whenever he went out, Rev. Meersinkwore a beret-that was the problem.Oh, it wasn't the beret really, Marlenethought. The beret was merely asymbol of Meersink's inability to outgrowthe sixties: he always had to be different.When it came to music, for example, Meersink wasn't content with the books in the pews. He kept running off new hymns and handing them out with the bulletin, giving the impression that he'd spent hours treasure-hunting through a hundred flashy books from Texas, looking for some new ditty that would bring on a revival single-handedly.