Emily R. Brink

I-to Loh and Pablo Sosa are highly respected authorities on congregational song, I-to Loh on Asian hymnody, and Pablo Sosa on songs from Latin America. We’re thrilled that both are planning to come to the 2003 Calvin Symposium on Worship and the Arts, and they’re looking forward to seeing each other again—previously they’ve worked together in international ecumenical conferences, including the World Council of Churches. Here is a brief introduction to both. The Hymns of I-to Loh

Many churches held prayer services after the tragic events of September 11, 2001. A year later, or during Advent, or during the cold of winter, your congregation may wish once more to gather to pray for peace in our broken world. This service could be adapted in many ways. For example, a choir is optional and you may want to consider alternative hymns (if so you’ll need to adapt the commentary as well).

Some of you may have noticed my new byline as “senior research fellow” for the Calvin Institute of Christian Worship. With the completion of the new hymnal Sing! A New Creation, I had thought of kicking back a bit, but instead I accepted an invitation to join the growing staff of the Institute, which has had a close relationship with Reformed Worship throughout the Institute’s short five-year history. So now I serve in two arenas for the support, encouragement, and renewal of worship on the congregational level.

Once a year, each academic department at Westmont College is invited to host a chapel for the majors and minors in their department. Here in the art department, we’ve used this opportunity to present our “artistic testimonies,” to discuss what might constitute Christian art, and to use works of art from the past as foci for devotional exercises. This year, we’ve decided to ask students to read one of Jesus’ parables of the kingdom, the parable of the talents from Matthew 25.

When considering the visual arts theme of this issue, I contacted Carl Daw—hymn writer, executive director of the Hymn Society in the United States and Canada, and a good friend—to seek recommendations for hymn texts that deal with the creative process. He responded with several helpful suggestions. Each of the four songs presented here is a fresh offering by living authors and composers. They bring both prayer and praise to God. The first two acknowledge God as the great Creator; the second two speak of the various artists in our midst.

Several Chicago-area teens came to the youth pastor, wondering if they could try a new kind of worship a few of them had experienced. It was quiet and beautiful, they said, and it calmed their spirits. We’re so busy all the time, they said. Maybe instead of all the hype and fun in our youth group, we could try Taizé.

Increasing numbers of churches are celebrating World Communion Sunday on the first Sunday of October. It’s a service I look forward to more each year, especially as I get to know brothers and sisters in Christ around the world. Early this year I met several in Geneva, Switzerland, when I had the privilege of attending an International Consultation on Reformed Worship.

Anyone who’s been reading Reformed Worship for the last three years could hardly miss the fact that a new contemporary hymnal is in the making. We solicited new worship songs in RW 48 (June 1998), and in every issue since, we’ve introduced new songs from the hymnal in the column “Songs for the Season.” Now Sing! A New Creation is almost ready, and we look forward to launching it at COLAM 2001, the worship conference to be held in Wheaton, Illinois, on July 7-10.

Choosing a balanced diet of songs for a collection of worship songs is an exercise that will change anyone! Take a seat around the table of our hymnal committee for a while, and get a taste of what it was like to choose the songs that worship planners may eventually use for their planning. Committee members will testify that they’ll never look at a hymnal the same way again. Making choices wasn’t always easy!

Siyahamba Psalm 8 O Lord, Our Lord Shout to the Lord