Ron Rienstra is associate professor of preaching and worship arts at Western Theological Seminary and co-author of Worship Words: Discipling Language for Faithful Ministry (Baker Academic, 2009).
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On Thanksgiving Day many churches offer a very traditional worship service: Psalm 100, a litany of thanksgiving, “Come, You Thankful People, Come.” On a day when we look back with gratitude at God’s good gifts to us, it makes sense to make use of the work and wisdom of our forebears and to worship using that which is tried and true. Other congregations seek innovation: pilgrim puppets behind the pulpit, prayers of thanks colored (not written) in crayon on scraps of paper and dropped in the offering plate.
Ouch. Kim used a translation of Scripture tonight—not sure which one—that was remarkable primarily for its gender exclusivity. This isn’t a God-talk issue (that’s a whole different conversation). But can we at least not go on and on in worship about the evil man and the good man and the blessed man and the foolish man and how God came to save men. . . .
What, women don’t need saving?
Part of what makes the World Wide Web so interesting is the way it links together things you wouldn’t ordinarily find in the same mental zip code. Two stray clicks and you’ve discovered a connection between the Great Barrier Reef and wine-soaked raisins; robotic sergers and distant quasars; justice and worship. To the church’s great shame, these last two items—working for justice and worshiping a just God—are too infrequently considered together.
Ron looked and looked but could find no distinctively Reformed humor sites on the Web; he wonders what this says about us, You can reach him at email@example.com.
3/14/99 After LOFT
As usual, after worship was finished and most folks had cleared out of the chapel, the band kept on play-ing. We spent nearly ninety minutes "jamming for Jesus." Matt and the Aarons really got us going on that Herbie Hancock number "Chameleon." It's amazing how much music you can make with just two simple chords. And how much variety!
Another communion service is coming up—just in time! We need all the grace we can get.
U To do: Confirm with Pastor Peter and elders from our supervising church to join us for planning and prayer.
For dozens of generations, hymns have been the mainstay of worship music. Christians have praised with them, prayed with them . . . and played with them. Good pastoral musicians have always played around with hymn arrangements, seeking creative expression and the best liturgical effect. And of course, texts and tunes are made to mix and match.
The disciples asked Jesus a simple question: “Teach us to pray” (Luke 11:1). He gave them, in response, the Lord’s Prayer. Today’s wired Christian might ask that same question not only of Jesus, but also of Jeeves, an electronic concierge/search engine located at www.askjeeves.com. What he or she gets in response will show that in the daunting task of putting words of prayer on the lips of God’s people, good help is hard to find. Hard, but not impossible.
Unlike other LOFT services, which take place on Sunday night and go for seventy-five minutes or more, this hymnsing service took place on a Friday morning and lasted under twenty-five minutes. It was part of a week-long project of educating students about the seasons of the church and what it means to find our identity, as Paul says, in Christ, inserting our stories into his story, giving our own lives context and purpose.
Brian just called with his text and theme for this Sunday’s LOFT. Matt. 6:33—“First Things First.”
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This post is the concluding part of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
This post is part two of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
This post is part one of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
Each year, on the second day of class, I give a little speech to my Intro Preaching 101 students. I tell them that I know some of them do not believe that the Holy Spirit has gifted women to preach. In their reading of scripture, women are not authorized to proclaim the Word of God. But, I continue, I am persuaded — and this class will be guided — by the conviction that they’re wrong about this. Not obtuse or ill-intentioned — just wrong.
A friend of mine came to my office a few weeks ago. His congregation is beginning to think about a sanctuary renovation, and he wanted to talk through some of the dynamics at play when considering liturgical furniture. He had found himself, in an initial meeting, agreeing with those who argued, for example, that a pulpit was both beautiful and indispensable. Five minutes later he found himself agreeing with those who said a pulpit was anachronistic at best and at worst an impediment to hearing the gospel.
I occasionally consult with churches who are looking for renewal and revitalization in their worship. Often these churches tell me that they are hoping that I can help them negotiate a transition from offering "traditional" to offering "contemporary" worship. (Though I have consulted with churches moving in the other direction!)
Not long ago I was speaking at an evangelical Christian college in the Midwest. After my presentation, a young woman, a leader of the praise band in her church, invited me to think with her about a frustration she had: "What do you do when you only get 15 minutes for worship?" she said. "I need more time than that to get the congregation from here," she said, raising her arms above her head, and waggling her hands, "to here," she said, lowering her arms and folding her hands gently together in front of her, just above her waist.
Not long ago I found myself on a Sunday morning visiting a church where some friends of mine are the pastors—Jim and Steve the lead pastors, and Mark in charge of music (their names have been changed here). The worship was wonderful – strong preaching wedded to both missional and sacramental sensibilities. The people were friendly, the music eclectic and excellent, the Spirit alive in the sanctuary. Yet there were a few moments where I cringed when we sang songs with sexist language in them.