Ron Rienstra is associate professor of preaching and worship arts at Western Theological Seminary and co-author of Worship Words: Discipling Language for Faithful Ministry (Baker Academic, 2009).
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We developed and have used or adapted this litany for several Thanksgiving services. The structure is simple—the leader gives thanks for very specific things, and the people affirm their thanks for those items with a more general phrase. We encourage the use of several different leaders on the different sections of the litany.
When I began working at the LOFT, the worship staff at the college agreed on a worthy goal: to embrace with both arms, and to lift up with both hands, the practice of singing the Psalms—a challenging task in a very contemporary setting. These are notes from a number of different Sundays recording the variety of ways we have tried to use the prayer book of God’s people in our worship.
10/14 Post Rehearsal
I remember being envious once, in pre-Web days, of a pastor friend who was showing me the Bible software he had just purchased. He could look up any passage in an instant, search for multiple uses of a particular word, even pull up two different Bible translations side by side on his computer. The tables were turned recently when I told him of two popular websites that offered all those Bible study tools and more—for free.
9/27 Advance Planning for Next Month
That “testimony” service is coming up soon. Part of me knows it’s a good thing, yet another part of me is nervous. Just about anything could happen if we just open things up for students to come forward and talk. Like open mike night at improv. How worshipful is that? I still remember an Easter service at an Episcopal church where a fellow stood up and droned on and on about El Salvador or something until the pastor finally cut him off. Ouch!
Listening to music on the Internet has become commonplace. These days, lots of folks are using Napster to download MP3 files from rock bands like Limp Bizkit. But others are logging on with a more devotional motive: to listen to and learn about psalms and hymns.
The Cyber Hymnal
Anyone who has been to the Church of Reconciliation in the small French village of Taizé and worshiped there with Christians from all over the world, knows what an unforgettable experience it is. But translating extraordinary worship experiences to our own communities and congregations is notoriously difficult.
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This post is the concluding part of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
This post is part two of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
This post is part one of a three-part article “Three Theological Themes for Worship,” a condensation of a presentation given at the 2018 Symposium on Worship. This series explores Jean-Jacques von Allmen’s most generative insights and considers how they might shape the worship we prepare and lead today.
Each year, on the second day of class, I give a little speech to my Intro Preaching 101 students. I tell them that I know some of them do not believe that the Holy Spirit has gifted women to preach. In their reading of scripture, women are not authorized to proclaim the Word of God. But, I continue, I am persuaded — and this class will be guided — by the conviction that they’re wrong about this. Not obtuse or ill-intentioned — just wrong.
A friend of mine came to my office a few weeks ago. His congregation is beginning to think about a sanctuary renovation, and he wanted to talk through some of the dynamics at play when considering liturgical furniture. He had found himself, in an initial meeting, agreeing with those who argued, for example, that a pulpit was both beautiful and indispensable. Five minutes later he found himself agreeing with those who said a pulpit was anachronistic at best and at worst an impediment to hearing the gospel.
I occasionally consult with churches who are looking for renewal and revitalization in their worship. Often these churches tell me that they are hoping that I can help them negotiate a transition from offering "traditional" to offering "contemporary" worship. (Though I have consulted with churches moving in the other direction!)
Not long ago I was speaking at an evangelical Christian college in the Midwest. After my presentation, a young woman, a leader of the praise band in her church, invited me to think with her about a frustration she had: "What do you do when you only get 15 minutes for worship?" she said. "I need more time than that to get the congregation from here," she said, raising her arms above her head, and waggling her hands, "to here," she said, lowering her arms and folding her hands gently together in front of her, just above her waist.
Not long ago I found myself on a Sunday morning visiting a church where some friends of mine are the pastors—Jim and Steve the lead pastors, and Mark in charge of music (their names have been changed here). The worship was wonderful – strong preaching wedded to both missional and sacramental sensibilities. The people were friendly, the music eclectic and excellent, the Spirit alive in the sanctuary. Yet there were a few moments where I cringed when we sang songs with sexist language in them.